Why pay to live on a planet we were born on? #Arttalks

Why pay to live on a planet we were born on? #Arttalks

This is Art! La mujer de la mascara de Zorro - The Awa-Odori Festival Foto Tomada por #Appow #Tokyo #Japan #Dance
Nota—> Me parecía que la mascara era de gato pero Ran Font de @hokkaidoblues confirmó que era de zorro!!! Thks Ran!! :D

This is Art! La mujer de la mascara de Zorro - The Awa-Odori Festival Foto Tomada por #Appow #Tokyo #Japan #Dance

Nota—> Me parecía que la mascara era de gato pero Ran Font de @hokkaidoblues confirmó que era de zorro!!! Thks Ran!! :D

(Fuente: la-mind)

Alucinante! D. Westry, el pintor más rápido del mundo! vía @_anapastor #AndersonLive #GotTalent

En los años 70, Marina Abramovic mantuvo una intensa historia de amor con Ulay. Pasaron 5 años viviendo en una furgoneta realizando toda clase de performances. Cuando su relación ya no daba para más, decidieron recorrer la Gran Muralla China, empezando cada uno de un lado, para encontrarse en el medio, abrazarse y no volver a verse nunca más. 

23 años después, en 2010, cuando Abramovic ya era una artista consagrada, el MoMa de Nueva York dedicó una retrospectiva a su obra. Dentro de la misma, Marina compartía un minuto en silencio con cada extraño que se sentaba frente a ella. Ulay llegó sin que ella lo supiera, y esto fue lo que pasó…

Vía  Blackie Books

El artista @HuaTuNan combinando el arte tradicional chino con el street art en la Volvo Art Session - la perfomance del graffiti! cool! 

 

life:

January 8, 1963: Leonardo da Vinci’s Mona Lisa is exhibited in the United States for the first time, at the National Gallery of Art.

Left: The entrance to the vault of the National Gallery of Art, where the Mona Lisa is being kept. Right: Members of the press viewing the Mona Lisa in the vault of the National Gallery of Art.

See related photos here.

La huella corporal de Keith Haring —-> El arte de ser uno mismo…

Firewall is an interactive media installation, people can push into and create fire-like visuals and music.

Created in collaboration with Mike Allison.

http://aaron-sherwood.com/works/firewall/

“Every culture will use the maximum level of technology available to it to make art…

myvickylife:

Fascinating. Creepy. Awesome.

Generative Art - Computers, Data, and Humanity

“Every culture will use the maximum level of technology available to it to make art.

 …we’ve got all these gizmos, but what does that say about us?”

(via Brain Pickings)

Una de las razones porque New York sigue siendo una ciudad creativa y moderna. ¡Una ciudad para creadores emergentes!
El MEME DEL AÑO #NYANCAT protagonista por 4 días en el evento #NYANCATCITY que celebra la creatividad y la influencia de la internet y los gatos! organizado por el New York Art Department.
4 días de música, networking, Media Art, Conferencia, Food y Promoción a la adopción de gatos!nyancat@newyorkartdepartment.org @NyanNyanCat | @NYArtDepartment | @TheHoleShopwww.nyan.catwww.newyorkartdepartment.org

Una de las razones porque New York sigue siendo una ciudad creativa y moderna. ¡Una ciudad para creadores emergentes!

El MEME DEL AÑO #NYANCAT protagonista por 4 días en el evento #NYANCATCITY que celebra la creatividad y la influencia de la internet y los gatos! organizado por el New York Art Department.

4 días de música, networking, Media Art, Conferencia, Food y Promoción a la adopción de gatos!

nyancat@newyorkartdepartment.org
@NyanNyanCat | @NYArtDepartment | @TheHoleShop

www.nyan.cat
www.newyorkartdepartment.org

Paper House Lamp: Como un cuento visual para niños y adultos #Art #Design

Paper House Lamp: Como un cuento visual para niños y adultos #Art #Design

#PrivateMoon_Project: La historia romántica entre el hombre y la luna  #Russia #Art

Private Moon Project

Russian artists Leonid Tishkov and Boris Bendikov created a fantastic world illuminated with the moonlight where they tried to convey relations between the man and the Moon. This is a romantic story about a man who met the Moon and decided to stay with it forever. They named the installation ‘Private Moon’.

Tokyo 1955–1970: A New Avant-Garde at MoMA, 300 works by 60 artists #Japan

With roughly three hundred works by some sixty artists, “Tokyo 1955–1970” presents an extensive roster of art produced in the capital of Japan during this key period. The exhibition .. encompasses not only Gutai, Anti-Art, and Non-Art—movements that have been well known in the US for some time—but also aspects of postwar Japanese art hitherto less known in the Western Hemisphere, including the graphic realism of Hiroshi Nakamura and Tiger Tateishi and intermedia projects by the collective Jikken Kōbō (Experimental Workshop). The heterogeneity of material in the show—ranging from painting, sculpture, photography, and film to performance, design, and architecture—demonstrates that the history of the avant-garde in Tokyo was not monolithic, but instead made up of multiple compelling narratives that paralleled other developments in radical art around the globe. — Reiko Tomii, ArtForum

PDF Catalog can be viewed here: (LINK large file, new window)
interactive exhibit supplement here: (LINK full browser recommended)

(Fuente: nycartscene)

2headedsnake:

Nikita Nomerz is a Russian artist that travels to various cities and transforms abandoned structures through graffiti installations.

2headedsnake:

Nikita Nomerz is a Russian artist that travels to various cities and transforms abandoned structures through graffiti installations.

What will happen to all of these billions of megabytes we stock on computers? in Art, Culture? = ART GAME

Leo Caillard

ART GAME

This recent work is a reflection on the problem of our new digital world.Currently, at any stage of its creation, any idea or concept is digitally adapted.What will be retained in the future? What will happen to all of these billions of megabytes we stock on computers? In 10 years? In 500 years? Colliding the esthetic of modern minimalist Apple products with the classical architecture of the Louvre Museum, the viewer is forced to assess the question of new creation in our modern society.